The recent turmoil on financial markets has made evident the importance of efficient liquidity risk management for the stability of banks. The measurement and management of liquidity risk must take into account economic factors such as the impact area, the timeframe of the analysis, the origin and the economic scenario in which the risk becomes manifest. Basel III, among other things, has introduced harmonized international minimum requirements and has developed global liquidity standards and supervisory monitoring procedures. The short book analyses the economic impact of the new regulation on profitability, on assets composition and business mix, on liabilities structure and replacement effects on banking and financial products.a??5032 Руб.
Dvorak's enchanting fairy tale of the water nymph Rusalka has been a signature role for Renee Fleming for the past 25 years. The Gramophone Classical Music Guide writes: "Renee Fleming's tender and heartwarming account of Rusalka's Song to the Moon reflects the fact that the role of the lovelorn water nymph, taken by her in a highly successful production at the MET in New York, has become one of her favourites". Here at last - in sumptuous HD - is that MET production by the late Gunther Schneider-Siemssen and directed by Otto Schenk. Yannick Nezet-Seguin conducts with "sensitivity and urgency" (.Financial Times) and the strong supporting cast includes Piotr Beczala "wonderful as the Prince, his tenor elegant and impassioned" [New York Times).1820 Руб.
Dvorak's enchanting fairy tale of the water nymph Rusalka has been a signature role for Renee Fleming for the past 25 years. The Gramophone Classical Music Guide writes: "Renee Fleming's tender and heartwarming account of Rusalka's Song to the Moon reflects the fact that the role of the lovelorn water nymph, taken by her in a highly successful production at the MET in New York, has become one of her favourites". Here at last - in sumptuous HD - is that MET production by the late Gunther Schneider-Siemssen and directed by Otto Schenk. Yannick Nezet-Seguin conducts with "sensitivity and urgency" (.Financial Times) and the strong supporting cast includes Piotr Beczala "wonderful as the Prince, his tenor elegant and impassioned" [New York Times).2299 Руб.
Specially commissioned for the Great Exhibition of Paris of 1855, I Vespri Sicilianils set at the time of the French occupation of Sicily in the 13th century and concerns the Sicilians' efforts to liberate their land. The vesper bell is rung to mark the wedding of Duchess Elena (a Sicilian patriot) to Arrigo (son of the French governor of the island) and acts as a signal for the slaughter of the unarmed French by Sicilian patriots. American soprano Susan Dunn made her Italian debut in the difficult role of Elena... "She proved a born Verdi soprano: rich and warm and agile" Financial Times Equally powerful are the performances of Leo Nucci as Guido di Monforte, the great romantic tenor Veriano Luchetti as Arrigo and Bonaldo Giaiotti in the challenging role of Procida. Opera in five acts1209 Руб.
Accelerating globalization of world markets and increasing interdependence of the economies of the world has made policy-making very complex, especially in the United States. One of the most debated subjects in recent years has been whether the U.S. is capable of simultaneously dealing with serious domestic challenges and economic challenges from the rest of the world. It is becoming more important for the generalist in economics, political science, business, and other areas to understand the issues confronting the American economy in relation to rapid global economic change.5966.1 Руб.
Side 1: Tracks 1-6Side 2: Tracks 7-11Side 3: Tracks 12-172679 Руб.
What happens in the City has never affected us more In this excellent guide, now fully revised and updated, leading financial journalist Philip Coggan cuts through the headlines, the scandals and the jargon to explain the nuts and bolts of the financial system. What causes the pound to rise or interest rates to fall? Which are the institutions that really matter? Why is it we need the Money Machine - and what happens when it crashes? Coggan provides clear and concise answers and shows why we should all be more familiar with a system we so intimately depend upon.782 Руб.
Nabucco is the opera which made Verdi the voice of the Italian people. Its theme of an oppressed people's yearning for freedom touched a responsive chord in the Italy of 1842. The stirring passion of Verdi's score proved irresistible in a country increasingly resentful of Austrian rule. "Va pensiero" the great chorus of longing, sung by the exiled Hebrews on the banks of the Euphrates, has become one of the best-loved of operatic melodies, and for Italian patriots in the middle of the 19th century, the chorus quickly became an anthem. The background to the opera is historical: set during the reign of Nebuchadnezzar (Nabucco), King of Babylon.The fictitious characters are Nabucco's daughters, Abigaille and Fenena, who are rivals for the love of Ismaele, nephew of the King of Jerusalem.There is also a powerful bass role for Zaccaria,a Hebrew priest, who brings about the conversion of Nabucco. This performance was recorded at Verona, where the huge open-air Roman Arena provides a magnificent setting for this well-loved and spectacular epic.1019 Руб.
With the increasing importance of the role of China in the international political and economic arena, Chinese accounting has attracted more foreign attention. Foreign investment has increased and many joint ventures and foreign companies have been set up in China. With the growth of the economy and the opening up of the Chinese market, accounting systems in China have been changing. The purpose of this book is to examine major events and reforms which occurred in Chinese accounting within this transformation period and then to assess critically the impact of politics, the economy and culture on the development of Chinese accounting.7032.6 Руб.
In spring 2011, the first-ever performances at New York's Metropolitan Opera of Rossini's Le Comte Ory brought standing ovations and critical-acclaim. The spectacular trio of Juan Diego Florez, Diana Damrau and Joyce DiDonato ignited vocal and theatrical fireworks. Le Comte Ory tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun ("Sister Colette") in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by the Tony Award-winning Broadway director Bartlett Sher, who in recent years has also staged Il barbiere di Siviglia and Les Contes d'Hoffman for the Met. Sher presented the action as an opera within an opera, updated the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays his love interest, Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. The trio had appeared in Sher's production of Rossini's Il barbiere di Siviglia. The New York Times praised "the terrific cast", citing Damrau's "lustrous, agile coloratura soprano voice, and charisma galore" and describing how DiDonato, "who sang with plush sound and impeccable passagework, sent top notes soaring and conveyed all the swagger of a smitten page." The Financial Times named Florez, "a bel-canto paragon virtually without peer. He attacks and/or floats top tones with laughing ease, phrases with slender grace and exudes charm even when impersonating a singing nun". The Wall Street Journal said: "It was a treat to hear Mr. Florez navigate the vocal extremes of the role, popping out high C's while adopting a rascally but winning demeanor." Conducted with verve and finesse by Rossini specialist Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud (quite a change from his previous Met role - Debussy's gentle Pelleas), charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.1839 Руб.
When Mae is hired to work for the Circle, the world's most powerful internetcompany, she feels she's been given the opportunity of a lifetime. Run out of asprawling California campus, the Circle links users' personal emails, socialmedia, and finances with their universal operating system, resulting in oneonline identity and a new age of transparency. Mae can't believe her greatfortune to work for them - even as life beyond the campus grows distant, even asa strange encounter with a colleague leaves her shaken, even as her role at theCircle becomes increasingly public ...579 Руб.